 |
|
|
|
|
|
| |

|
|
|
| |

Born in South Africa,
I trained at Edinburgh College of Art in the Ceramics department,
completed a PGCE and then embarked on a rather diverse career
which has included teaching looking after my children, working
for an awarding body and latterly, running a small gallery space
in addition to being an artist.
I love the process of looking and drawing, of making marks and
exploring colours. This means that my work emerges as both highly
figurative, completely abstract and at times, somewhere in between.
In the past year, I have mainly worked from life, recording
the moment between myself and the person who is with me, but
often doing so over quite a long period of time. I believe that
the work reflects something of the relationship that exists
and evolves between myself and those who sit for me. |
|
|
|
| |
|
|
|
| |
 |
|
|
| |
Sandra uses contemporary
and recycled materials such as toy cars, planes and dolls to
explore urban ideas in a form reminiscent of the iconography
of her Italian background and heritage. Born and raised in London,
and now living near Heathrow Airport, she has developed a fascination
for the physicality and consciousness of the human individual
within the collective unconsciousness that is the city.
Her works are seductive and hypnotic: sometimes macabre and
surreal, sometimes abstract and beautiful. Landscapes of organically
shaped ‘mountains’ made of plastic beads and wires
also make an appearance in Sandra’s extraordinary world.
As with her box works, her drawings are drawings are obsessively
intricate. She draws, sews and paints on the paper, mapping
out these urban, human and natural energies. |
|
|
|
| |
|
|
|
| |
 |
|
|
| |
I
was born and educated in England before moving to Johannesburg,
South Africa in my late teens. Initially I trained in the Graphic
Arts and then went on to a working life in advertising and photography.
On returning to Britain in 1978, I worked for the photographic
department of the Courtauld Institute of Art, London. I came
to Bristol in 1989 and was in a position at last, to give all
my time to the study and practice of Fine Art.
|
| |
|
| |
|
|
|
|